Need MY bio?
If you need to edit them for whatever reason that's totally fine- but please let me know!
Long and Fancy
Composer Shelley Washington has emerged as an important and powerful voice of her generation. With an eclectic palette that draws from classical, jazz, rock, American folk, and other contemporary musical spaces, Washington seeks to tell memorable sonic stories that comment on current and past social narratives, both personal and observed. Her music explores emotions and intentions, incorporating intricate rhythms to encourage layered listening through grooves, melody, and harmony. In addition, she addresses social injustices in the hope of creating a public dialogue.
Shelley Washington’s music has been performed across the United States and beyond. Upcoming projects include a new concerto for Eighth Blackbird and the Cincinnati Symphony, as well as a new work for the Los Angeles Chamber Orchestra. Recent projects include a commission from the Chicago Symphony Orchestra to arrange Julius Eastman’s Joy Boy, premiered in spring 2019, and a new recording of a chamber version of Joy Boy for Wild Up new music for their album, Eastman vol. 2: Joy Boy.
Her string quartet, MIDDLEGROUND, was included on PUBLIQuartet’s Grammy-nominated album, Freedom, and Faith, released in 2019. Other notable recent premieres include her multi-movement suite, UNIFORMS, for Bearthoven at Le Poisson Rouge, her electric guitar quartet, The Workers’ Dreadnought, at National Sawdust, and a work for solo cello and kick drum, Seething, for Amanda Gookin performed at The Wallis in Los Angeles and the Park Avenue Armory in New York City.
Washington is a founding member of the composer collective Kinds of Kings, which held a residency at National Sawdust this past year. She currently holds a fellowship from Princeton University and received degrees from NYU Steinhardt (MM) and Truman State University (BA, MA.) As an educator, she has taught with the New York Philharmonic Very Young Composers program and the Young Composers and Improvisers Workshop. In addition, she served as Artistic Director for the Noel Pointer Foundation, where she created new opportunities for music composition. She currently teaches composition at NYU Steinhardt.
Washington is an active performer and collaborator. She has recently performed and recorded with Wild Up, Justin Vernon of Bon Iver, Pieta Brown, and the 37d03d Collective. Washington is also vocalist, saxophonist, and arranger in her Brooklyn-based band, Good Looking Friends.
Short and Sweet
Shelley Washington (b. 1991) writes music to fulfill one calling- to move. With an eclectic palette, Washington tells stories focusing on exploring emotions and intentions by finding their root cause. Using driving, rhythmic riffs paired with indelible melodies, she creates a sound dialogue for the public and personal discourse. Shelley performs regularly as a vocalist and saxophonist, primarily on baritone saxophone, and has performed and recorded throughout the Midwest and East Coast- anything from Baroque to Screamo. She holds degrees from Truman State University; a BA in Music focusing on saxophone, and a Masters of Arts in Education. She also holds a Masters of Theory and Composition from NYU Steinhardt, where she studied with Dr. Joseph Church, Dr. Julia Wolfe, and Caroline Shaw. As an educator, she taught for the New York Philharmonic's Very Young Composers program, and was acting Artistic Director for the Noel Pointer Foundation, located in Brooklyn, NY. In the Fall of 2018 she began studies at Princeton University in pursuit of the PhD of Music Composition. Shelley is a founding member of the composer collective, Kinds of Kings.